There are tensions on the surface of this image that have resulted in a furious working toward solutions with whatever materials are at hand. Having attempted to cover the content of this ambiguous and organic work with robust and impermeable house paint, the layering of white acrylic material has resulted in the creation of a non-reflective fragile surface that is easily damaged. The white acrylic paint is literally a skin that is being shaped and reshaped as it responds to external pressure. The wrinkles on the surface are points of interest but the tension also reveals a warm organic oil based yellow ochre that beckons the viewer to go deeper. The viewer’s focus is spread across the damage on the surface and it is hard to know whether to settle here or consider the deeper life of the work. It is challenging to consider what has been lost or gained in the frantic need to shore up a solid and impermeable surface.

From Seeing our own backyards (Art/s and Theology in Australia)

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